Visionary art originates from an intuitive place — an internal Neverland without confines such as realism, definitions or canned themes.
That is why sculptor Gary Spinosa is often unsure of the destination when he begins to mold clay into fantastic forms that have been called “intensely spiritual.”
Spinosa refers to his creative process as a search for the origin: finding the why. He discovers his work’s meaning the way a jazz performer embarks on an improvisational riff.
“A musician may start with a theme and come up with phrases in his music that veer off from where he started, but are powerful and beautiful and meaningful,” he explains.
Spinosa, a 1972 Cleveland Institute of Art graduate, earned his master’s of fine arts from Pennsylvania’s Edinboro University. Today, Spinosa creates his art on his Pennsylvania farm — usually alone so he can find that “place” where spontaneity rules.
That instinct rerouted his initial intention to create a sculpture of his dog, a shepherd-lab mix. Without a photo or his companion nearby, Spinosa interpreted his idea of “dog.”
“I wanted to allow myself to stylize — to let go, to improvise,” he says.
The final product, “Dog of Sorrow,” is actually a self-portrait, Spinosa says.
Some critics call what Spinosa does religious. The artist agrees, but then hesitates. “If I use the word religion, I’m using it in the sense of the root of the word: to reconnect with the source.”
Spinosa will reconnect with Cleveland Sept. 7 through Oct. 27 as his exhibition Through Forests of Symbols visits The Sculpture Center.
“My work started really blossoming and developing in Cleveland,” Spinosa says, adding that the University Circle neighborhood fosters “collective energy” that inspired his early career.
He hopes his exhibition will invoke similar “vibration” in others. “These symbolic arrangements can activate something in your psyche that will turn on the imagination.”
Visit www.sculpturecenter.org for more information.